I really loved this series of comics. I found the introduction with the rabbit skeleton and the butterfly very appealing. I thought that the characters were very unique and compelling to read about. The entire comic was written very poetically and I found myself determined to hear the end of the story. The girl with the vulture coat was very interesting to me and I ended up wanting to cheer her on. The visual form of the god of death was also very appealing and I also enjoyed how they set the story up, that was told at the beginning, to be the back story to one of the main characters. The fight scenes were epic and I loved the colors of red and orange that were prominent through the story. The whole thing flowed together very nicely and it was overall a huge pleasure to read.
I've read a lot of manga but this is the first I'm read that had this sort of style. It took me a while to get into the correct tone of this comic because I was mislead by the very cute style into thinking it would be more innocent and carefree. But then a character dies and I was confused by the storyline right off the bat. Less importantly I got confused by the gender of a few characters, I thought the younger boy was a girl. Then the tone would switch from something very serious to very carefree almost instantaneously and I would lose the character's goals. I forgot about the phoenix for some parts of it as well and had to remind myself of the original plot of the story. There definitely a lot of plot twists though. I think maybe the translation ended up getting me lost sometimes perhaps. Phoenix Future was even more confusing to me, maybe because I was used to the prehistoric timeline from before but I became confused by this. It was a completely different style than th...
I found it interesting that a lot of the points her was making at the beginning were very similar to what I'm used to hearing in my story boarding class. For example, creating clear facial expressions and body language to communicate emotion. He also mentions the importance of figure drawing to improve his work. Camera difference is emotional distance is something we hear in class all the time and he describes this well in choice of frame. His visual framing for the flow of the comic page is really interesting to me. Usually when I thumbnail I don't realize the story could be more compelling with different sizes through the page. He conveys this to his audience very well with visual examples. Also removing pieces can change the story, or switching the panels, like a puzzle that creates a different image every time. He also gives great examples for how important word choice is and how to utilize it in accompanying images. One note that he mentioned was how important eyes are to...
Comments
Post a Comment